Report on James Lister’s Presentation – Classical Guitar Construction – Spanish Method

James Lister James Lister, an award winning luthier, hand making classical guitars in Sheffield, came up to Liverpool on the 29th September and delivered a fascinating presentation to the society on his art.

Using a slideshow to demonstrate the build of a guitar from start to finish; with some examples of guitar necks, backs, tops and the raw wood prior to it being worked on; members of Liverpool Guitar Society were treated to a rare insight into their instruments creation! For many of us there this was an aspect of our guitars we knew little to nothing about and safely can say we will never look at the guitar in the same way again.

Joint making

James builds guitars using in general the principles of Torres, a famous Spanish luthier, though also has inspiration from German luthier Hauser. The slides demonstrated the intricate sequence of building the neck, keeping it as a block to facilitate easy clamping until later in the process, the gluing of the headstock to the neck. James went into detail regarding the various glues employed and their merits.

The selection of the variety of types of available wood for the top and back followed. James tends to prefer Spruce tops with Indian or Brazilian Rosewood backs. The price of the raw wood, sources and implications of conservation treaties was explained in fascinating detail, made all the better that we could get our hands onto the samples James had brought along, feel their relative weights, see the differing grains colours. The Bird’s-eye Maple is an exceptionally beautiful wood for the back. An example of a  Bird’s-eye Maple Guitar by James Lister.

James then detailed the joining of the two pieces of wood which make the top and the various struts including a slide featuring an incredibly small finger-width plane. The back and sides followed, informing on the importance of humidity at this crucial stage of construction especially with regards to the top’s dome structure – again, news to most of us that there is a dome!

In all James estimates it takes him around 150 hours to make a guitar with a lot of effort going into the French Polishing. James has a fascinating website which details many aspect of guitar making and a brilliant FAQ, he also has a Flickr page of photos of guitars at various stages of construction in his studio.

For those interested in commissioning a guitar, James can be contacted with details on his site here.

Guitarists Nick Fletcher and Gordon Dunn are prominent guitarists playing James Lister guitars. Nick can be seen on YouTube playing his own composition “Evensong” using a guitar made by James Lister  and Gordon Dunn unleashes his percussive guitar techniques on his James Lister guitar in “Man U Facture”.

One not to miss – Luthier James Lister to give talk to Liverpool Guitar Society

James Lister Guitar

One of James Lister's guitars

We are pleased to announce that the next meeting of Liverpool Guitar Society on 29th Spetember will feature a visit from acclaimed luthier James Lister. James has a workshop in Sheffield where he builds both classical and flamenco guitars. More details of his work can be found on his website here.

James will deliver a talk titled Classical Guitar Construction – Spanish Method, with some examples of guitar elements on show and will also answer questions on the art of building guitars.

The meeting is open and free to Liverpool Guitar Society Members. Non members may attend for a fee of £5, though please contact us prior to attending.

The meeting will be on 29th September 7pm – 9.30pm

at our usual location of at Room CAP004, Capstone Building, Liverpool Hope University Creative Campus, Shaw Street, Liverpool, L3 8QB

Liverpool Guitar Ensemble Latest

Despite a number of people’s holiday’s coinciding with rehearsals, the Liverpool Guitar Ensemble is still going strong. At present we are working on a piece, origninally for guitar trio, called “Four Moods” by sensational Czech maestro Stepan Rak. We are also continuing to rehearse the Handel Passacaglia and Khatachurian’s Sabre Dance which were highlights from the last performance we felt. There is also an arrangement of a Metallica track to begin at the next rehearsal!

Next rehearsal? 8th Speptember. Next general Society meeting 25th August 2011

7pm – 9.30pm

at CAP004, Capstone Building, Liverpool Hope University Creative Campus, Shaw Street, Liverpool, L3 8QB

Succesful Workshop on Recording the Classical Guitar

mic and guitarWe were pleased to have local sound engineer Phil Hargreaves attend our meeting on 28th July and present a seminar on Recording the Guitar. The meeting was well attended and very informative on this tricky area. Phil’s exensive knowledge on all aspects of recording mean that we may extend the seminar into a series of workshops through the year if Phil can schedule the time. Some of the principles Phil dicussed can be read about here: http://magazine.dv247.com/2011/07/27/recording-acoustic-guitar (though as Phil has pointed out, the article is primarily concerned with steel stringed acoustic guitars).

As well as recording, Phil runs an independant label and produces improvised and experimental music himself: http://www.whi-music.co.uk/

Recording the Classical Guitar Workshop

mic and guitarThe next Liverpool Guitar Society Meeting will be at usual time and location on Thursday 28th July and will feature a practical workshop with a local sound engineer, very experienced in recording the classical guitar. This wil be a great opportunity to learn the techniques, microphone positioning, levelling etc so as to be able to record oneself at home.

7pm – 9.30pm
at CAP004, Capstone Building
Liverpool Hope University Creative Campus
Shaw Street
Liverpool, L3 8QB